We Are Working On It

ImageWell, work has not slowed down, but I know to many of you it may seem to have. Truth is, the book version of “The Nordic” is caught up in editing, the Paul Hawkinson mystery is currently being written, our comic series for “The Nordic” is under development, and Mark I’m afraid is near death getting the artwork done for the first issue! lol  On that note, for all of us Star Trek fans, Mark has become an official Star Trek artist! You can get his first print here.

Image

I have to say, being a former producer, I love working in the comic book genre. There really are so many similarities. An upside is I really don’t have any crew to drive me crazy. 🙂 It’s way more professional on the business end than I expected, but that’s an upside.

“Keep It Home” from our Holy Moon series is now being sold in comic stores and that’s another series that will be developed for comics this year. Paul Hawkinson will too, but we aren’t sure yet what our work load is going to be this year yet, so we’re waiting until we can take a decent temperature before diving into development on that series for comics. All in all, some books will have to be pushed back a little this year just to get all the behind-the-scenes done, but I’d rather be busy than not.

Amazing Spiderman…Not So Amazing To Me

AS

 

 

Granted it’s been a while since climbing on here to write, but hey, the holidays…need I say more? Time’s been a little constrained. I should mention to that we have been busy cranking out The Nordic (book version), so that’s eaten up time as well.

In my time constrained, time eaten while the past month, I’ve been able to finally see The Amazing Spiderman“flick (you may recall I said I would never shell out money at the theater to see it…and I didn’t). I  get it at almost half-price of what I would’ve paid at the theater by just waiting until it came on On Demand AND I can enjoy it in my own home curled up on whatever piece of furniture I like and actually be comfortable.

Now, I will admit, I went into this flick with some reluctance because quite frankly I was upset they ceased the story-line from the previous venture which was just getting into the meat of things and I think you all know how I feel about reboots, especially when they’re done for the up-teenth time. I also wasn’t “wowed”
by what I saw in the previews…at all. But, it was Spiderman, so I had to see it.

First off, I could barely digest Andrew Garfield as Peter Parker. Nothing against Garfield, but his acting even in The Social Network made me feel like he was a jerk..and he made me feel like Peter Parker was…a jerk. This upset me even more because aren’t we supposed to feel sympathy and understanding for Peter Parker, of all characters??? I thought that was his hook, that he was vulnerable, but Garfield made him into something not lovable. By the end, I was hoping he would get his ass kicked. In the one part right towards the climax at the end where a blind man could see his Peter Parker almost begging for sympathy for his character, I laughed at the obviousness of it. I mean, seriously! So, on the lead casting and character interpretation, strike one.

I liked that they put Gwen in as the original girlfriend, because let’s face it, that is true to the original story-line, but to be blunt, a lot of the story-line left me going “huh?”. Dennis Leary, who I (and most I think) tend to like, just didn’t fit in his role as Captain Stacy I didn’t think. Something just wasn’t right. This film had a lot of incredible talent in it, but just because you pay incredible talent to be a part of something doesn’t mean they’re right for the film so I thought overall, casting was horrible, so …strike two.

Now, I know The Amazing Spiderman is a separate series and a lot of folks don’t, which can explain why the story went in some of the directions it did, but that can’t make up for some of the writing which I had a tough time listening to even. I kept thinking over and over in my head, “They dumped the team from the first three Spiderman films which grossed over billions of working dollars and was only growing…for this?” I swear that I couldn’t get my head around it. It was like when some of my friends, not all, said they liked the film, they said it with a smile like they didn’t want to insult that friend that wasn’t there to defend himself. When the first Spiderman flick came out (with Tobey Maguire), those same friends were ecstatic  practically pulling to the theater, wasn’t the same this time at all. I don’t mean to beat up on the film, but the film to me was so ridiculous and let’s face it, you’ve never seen me write like this about a superhero flick, ever. So, I must have really hated it. And I did. Upon hearing another one was being produced (of course) I remember I just started laughing. Just a waste of money to me.

In my opinion, all this film was, was an attempt to create an MTV version of Spidey and an effort to make it hip for a younger generation. Fine. There are separate series for Spiderman, so why not separate film series? Bring back Maguire and Dunst. Maybe it’s because I’m older, but I liked that film series and where it was headed. I’d pay money in the theater to see it! This stuff though with The Amazing Spiderman just didn’t work for me. Give it to the kids that might like it, because it wasn’t Spiderman to me at all, save the costume (made out of some kind of red and blue basketball) and character names. Eh.

Finding Time To Write

Recently, since releasing my latest book, Keep It Home from the Holy Moon series, I’ve found it difficult to organize time to write…and I’m not the only one I’ve discovered. Although, I finally did find the time to wrap up my next book, Reunion from the The Nordic series, it was daunting as promotion and publishing slowly began to soak up most of my time.

When you put so much time and effort into a book, you don’t want to see it deteriorate on the rankings, so you have to get out there and promote, promote, promote. This is just the way it is. Only, this time around with the popularity of the storyline for Holy Moon, the promoting has taken a far larger scale of effort than previous books. It seems the werewolf genre is alive and well and potential readers want to know about it. lol

I’m getting off the point here. The issue is, how does one find the time to write; especially if you have a full-time or even a part-time job on the side. Well, in simple direction, it just takes discipline. That might not be something we writers are gifted with, btw. Let me share my routine with you and discuss that a bit. I rise sometime around 4-5 am (I’m former military, so I’m weird like that) make my coffee, read the news from the U.S., U.K. and Norway, get caught up on the happenings from yesterday and wake up a bit. Then if it’s a cardio day, I’ll do kickboxing for 20 minutes, martial arts for about the same amount of time, and then run my 40 yard sprints 10x. If it’s a lifting day, I”ll downstairs to the bench and do that day’s routine. Now, I”m awake, brain is on and I’m ready to write (after I shower of course!). Writing in the morning is the best for me; my mind hasn’t been clouded by all the nonsense you pick up throughout  the day, yet. I’ll write for about two hours to get a taste of that days storyline and then break to take care of some marketing, promotion, or blogging or whatever else needs my attention for the next hour or so. The large problem is, that hour or so of other tasks, can linger for almost the entire middle of the day! Here’s the point with this section of the day, it can be when you go to work for the day or have to run errands (I use it for that too) or whatever. Point being, you get right back on writing when you return home. For some, this means sitting down to dinner first because maybe you don’t get home until after 5pm.

We can all crank out a good book and find time to write, exercise, and work our other job or whatever if we just stick to our schedule. Write a little in the morning ( just get up earlier) and write when you get home for another 2-4 hours. Like exercising though, I believe in taking a day off every now and then. Sunday is my ‘don’t mess with it’ day. I will also take an evening or two off, especially if I”m going through a funk with my storytelling.

It’s going to be different for all of us, but I encourage you to write as much as you can and the writing a part of your lifestyle, and obsession almost. For those successful in this business, writing is a disciplined part of who they are. They make it so. I don’t really go by word count or page count. Many times when I sit down to write, I won’t get up until I’ve cranked out an entire chapter, because I sit to write so many words or 2 pages or whatever some noted authors subscribe to, I wouldn’t get anything done. I’d end up giving myself an excuse to exit in the middle of writing a chapter, come back to it, and not be on the same ‘feel’ as when I left it. “Oh, I”m at ## words, now. I can quit…” I’m not done until the chapter’s done.

There have been many times when I’ve been writing all day; as many as 6 chapters in a day, and I’ve had to quit because my wrists were feeling pain. That’s when I’ve overdone it. I get motivated though and love that feeling. It pushes me to write. I set a lofty goal sometimes to get done what I want done that day, and push through. I’ll go back and proof for my editor, and then send it off to her. Those days are rare though. What I’m saying is, there is time to write everyday if you want to bad enough. You can find time before work to write, time after before you go to bed, it’s all in how much you want to see it instead of making excuses about how you don’t have that time.

Finally, My Book Is Done! What? What Do You Mean I’m Not Done?

Let’s face it – for 90% of us indie authors, marketing our books is the bane of our career. We love to write the book, but find it grueling to let potential readers know it’s out there. I’ve worked in broadcast marketing for almost twenty years and even for me, this line of self marketing for my works is something I find stressful at times and also a bit unusual. I say unusual, because it’s not like any business (either others or my own) I’ve ever had to market  before. I mean, here I have worked, lost sleep, risen crazy early, forgot where I was at times, and just plain lost track of time while writing this book that I am now finally so proud of and can’t wait to publish and let readers enjoy, but now that the time is here…marketing it suddenly isn’t that daydream I had in my head all through the writing and editing process – now it’s real, I actually have to do it!  Oh no!

Truth is, yes, marketing your book can seem daunting, but I promise you that it’s mostly psychological. Once you get the hang of it, it’s actually quite fun and even something that now, I look forward to. Last year, when I first began my career as an indie author, I couldn’t market my books to save my life. Here I was, a marketing guru of nearly two decades and thinking I could ‘slay the dragon’ with both hands tied behind my back. What I didn’t know, was that marketing my books was going to be a whole  other ball game. See, most of my marketing career was spent in broadcasting and media. That means I utilized the traditional forms of marketing (which I do believe can work for you if you live in a large town, which I don’t in my opinion), such as radio, tv, newspaper, billboards and so on. For those who do live in larger towns, these forms of advertising may prove quite worthwhile. Billboards can be salty depending on the populations of where you live. Be prepared to spend anywhere from $100/mo to $10,000/mo (median realistically being around $2500/mo in most areas). Keep in mind though, you typically attract what you pay for location-wise. TV can also be slightly salty, especially if you choose to advertise a :30 or :60 spot around your local weather segment on your local news station. Rather spend more wisely and attract potential readers through tv spots by spreading the money around on a local cable advertising plan. I can’t say I would ever waste my money at the local station and reason being, they typically have higher, more immediate need to take care of their overhead expenses and will bilk you out of how ever much you are dumb enough to spend for their one channel (or their one main channel and possibly a secondary channel nobody watches). Whereas, by spreading a portion of your advertising budget on your local cable channels, you’re getting way more channels, way more diverse viewers, and typically, way more spots for free (or courtesy spots) than your local station would ever even think of giving you. For me, the local paper has never done anything for me. Sure people see the ad (I guess) but then forget about it as soon as they fold it up and set down; so why waste money on newspaper advertising. Radio is typically quite cheap and if you can be lucky enough to hook up with a station representative who can actually produce a quality spot for you, may be worth some money. I’ve always said, radio listeners tend to be a ‘captive audience’. I mean think about it, when do you listen to the radio? Either in your office or like most, when driving in your car. I mean what else are you going to be doing? Nothing. You’re trapped and you’re listening to your station (that you’re not going to change) and you’ll end up listening to this ad (which you will find interesting right away since most authors don’t advertise on the radio) which sets your apart from all others and you hear it over and over again. Again, it will come down to the quality of the spot and if it can engage the listener enough. I think radio is actually the best local media buy we can do for usually meager marketing budgets.

But now you’re like, “Wait a minute Holmes…I don’t even have a budget!” Okay. Build one. Seriously. But let’s think about this first. Why did you start writing books in the first place? Was it just to have one out there or because you wanted to build something out of it…why? You have to ask yourself – heck, I ask myself that almost everyday, especially when I see that almost 80% of us in the self-publishing game do little or no marketing on books! I mean, for someone like me, I just can’t get my head around that. You’ve spent at times months on producing this book and now you’re not even going to market it?

I would say a majority of indie authors start to market their books, but then because they don’t have a firm grasp of how to accomplish that, they just give up. Fair enough. I was there for a moment myself…but I refused to quit. I instead, went through the frustration (which I had every time I built a business or company – it’s really just a learning bump), dusted myself off and studied the battlefield a bit more deeper until I had learned the right tactics. Marketing something nationally is just a more vast and (can be) exhausting task – but, it’s something that must be dealt with if you want your book (product) to make you money. Did you see how I nudged your brain a bit there by inserting ‘product’ next to the word ‘book’? There’s a reason for that; it’s because I don’t want you to be so attached or emotional to your book, that you stop it as what it really is. Yes, it’s a work of art, but to most everybody else who’s never heard of you or doesn’t worship the ground you walk on yet, it’s simply a book – a product they may or may not be curious about enough to actually lay down $0.99 or $2.99 for. Step back and see what you’re doing – whether you want to say it or not, the reality is you’re building a business. It is what it is, so let’s try to not get all emotionally tangled up in it. You have an idea, you write the book, you sell it. It’s as simple as that, but you can’t sell your product (book) if nobody knows it’s out there and available to them! Doh! You have to market this thing now. Traditional routes like I spoke of earlier intimidate you a bit or you just don’t have the budget? That’s okay. Let’s build.

One of the best ways to get started if you don’t have a budget, say it’s your first book or whatever, is to just get out there! Now, I want to say, if you do have some spending cash, I urge you to try the traditional methods, mostly radio though, billboards are effective too (but again kind of salty). “But Holmes, how do I get out there?” you ask. Any way you can. I promise you too, any author that is making a living as an indie author has done just that – they pushed themselves out there, they made the effort. It’s easy to sell your book once readers know it’s there and if you have an attractive enough cover and good enough storyline. Heck, by most standards, it doesn’t even have to be edited all that well, by some of the reviews I’ve seen on some of these authors.  It’s kind of a static effect, especially on Kindle. If you can just push yourself out there enough to sell enough of your book that you get up in the higher rankings, you’re book will noticed by others who haven’t seen a hair of your marketing efforts, but now see your book because of it’s ranking, purchase it, and it takes off climbing even higher and higher…. and so forth. That’s the traditional “Amazon/Kindle” theory anyway and you have to admit, even with all the cluelessness about how the algorithms over there work, it does have some common sense to it.

So, back to getting yourself out there. I’m going to mention the obvious, but don’t expect them to do much for you; they might generate some first sales, but don’t look for them to turn the tide or anything: Facebook, Twitter, Youtube, Goodreads, Kindleboards, Google +, and sites like these are just a foundation for everything else – a starting point. You must have your own website, if you’re book is part of a series, build separate website for it as well. An author website and series websites are fundamental in opinion. Plus, when you think about it, it only furthers your efforts to spread yourself around more on the web.

You must hit up reviewers. Thing about finding reviewers is that you write in a genre that it’s easy to find reviewers. Case in point would be like when I wrote my Christian-fiction last year, I thought I would be able to find reviewers no problem. Ha! Most of the Christian-fiction reviewers I dropped a line to either didn’t reply or were going to make me go through hoops just to have them do the review at all and even then it wasn’t a promise they would. Whereas if your write in YA, or paranormal-fiction, perhaps fantasy or sci-fi, mystery even, finding a reviewer won’t be nearly that difficult and I’ve found most to actually be quite positive in these genres. Think about what genre your book belongs in and attack from there.

Interviews, whether podcasts or just print/website or also important. Some reviewers will interview you along with their review. Then there also folks out there that will promote your book simply to draw traffic to their website and build their numbers. You just have to log on and search. It will become a daily ritual, trust me. But soon enough, it also becomes a normal routine and usually good experience.

Take pictures of your book with your pets. People love animals! The ‘cute’ factor will attract readers every time. Have your pet ‘reading’ the book or look worn out from reading so long or what not. Thing is be imaginative with how your market images of your book.

Print flyer-size full-color posters of your book and where folks can buy it and post those suckers in every high-traffic area of your town. Cheap advertising right there. Do what you need to to make the paperback format of your book available to the regular distribution channels so your local and regional bookstores can order copies and go do your book signings! Have posters and things available at your signings and make sure where you are set-up at is decorated enough to attract curious passers-by to come over, meet-you and buy! Sell yourself at these things! 9 out of 10 times, they are buying you at a book signing, not your book (even though yes, technically it is the book) you know what I mean.

Another way to put this in focus is like this, consider your favorite music artist (simply because on the larger scale of entertainment, I think they have much more in common with us authors than say an actor or something). After recording (writing) their album (book), and then releasing (publishing) it they go out there and just push the heck out of it don’t they to ensure it’s a success? I mean they don’t go home directly from the studio and hope fairies or something will cause the album to shoot through the charts. No, they go out and endlessly tire themselves, for sometimes a full year, promoting, promoting, promoting…and while doing that, writing their next album, because it’s a cycle and there typically is no sitting still. So should it be with us indie authors. We’re really no different. We should be promoting as much as we can, everywhere we can (it’s in some of those odd places/media readers discover us that we never would have thought we’d attract a reader like that) and get out there as much as we can, get in front of the readers as much as you can physically- do readings, do signings, offer to speak at a writing class at a local school or university or library, anything! It all boils down to, they can’t buy if they don’t know. Also, don’t forget to continue your writing while your marketing. After all, it’s a cycle and like running or weightlifting, you may feel like stopping to take a rest, but when you do it can just be more difficult to get started up all over again. Just keep it going – and if the books you write are good, they have a good storyline, decent editing, and an attractive cover, you should be quite successful compared to the other 80% or more that doesn’t even make an effort in this business. Why would one ever put so much energy and time into writing a book if they didn’t want some level of success from it? I’ll never understand that.